Pot Stock Souvenir De Sarasate Pdf 18 _HOT_
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How to Play Potstock's Souvenir De Sarasate on Violin
Souvenir De Sarasate is a fantasia spagnole composed by William H. Potstock (1872-1941), a German American musician and violin teacher. It is dedicated to Pablo de Sarasate, a famous Spanish violinist and composer who inspired many works based on Spanish themes and melodies. Souvenir De Sarasate is one of Potstock's most popular pieces, combining various techniques such as left hand pizzicato, double stops, harmonics, and spiccato.
If you want to learn how to play this piece on violin, you will need a copy of the sheet music, which you can download for free from IMSLP or purchase from Sheet Music Plus. You will also need a violin and a piano accompaniment, which you can find on Musescore. The piece is in D major and has a duration of about 4 minutes.
Before you start playing, make sure you tune your violin and warm up your fingers. You should also practice the scales and arpeggios in D major and B minor, as well as some exercises for left hand pizzicato and double stops. You can find some useful tips and tutorials on Violin Online.
The piece begins with a slow introduction that sets the mood for the Spanish theme. You should play this section with a smooth and expressive tone, using vibrato and portamento. Pay attention to the dynamics and tempo markings, as well as the accents and slurs. The introduction ends with a fermata on a high D harmonic.
The main theme of the piece is introduced in measure 17, with a lively and rhythmic melody that resembles a Spanish dance. You should play this section with a crisp and light articulation, using spiccato for the short notes and legato for the long ones. You should also use left hand pizzicato for some of the notes marked with a cross above them. This technique involves plucking the string with your left hand finger instead of bowing it. To do this, you need to press the string firmly against the fingerboard and then release it quickly with a snapping motion. You should practice this technique slowly at first until you get comfortable with it.
The main theme is repeated several times throughout the piece, with some variations and embellishments. You should pay attention to the changes in key signatures, accidentals, rhythms, and bowings. You should also practice the double stops carefully, making sure both notes are in tune and sound clear. Double stops are when you play two notes at the same time on different strings. To do this, you need to place your fingers across two strings and bow them simultaneously. You should practice this technique with open strings first until you get used to it.
The piece reaches its climax in measure 76, where you have to play a series of fast runs and trills that lead to a high E harmonic. You should play this section with agility and accuracy, using short and fast bow strokes. You should also use harmonics for some of the notes marked with a circle above them. Harmonics are when you lightly touch the string at certain points without pressing it down, creating a high-pitched sound. To do this, you need to find the right spot on the string where the harmonic sounds and gently place your finger on it without stopping it.
The piece ends with a coda that recapitulates the main theme in a slower tempo and fades away with a diminuendo. You should play this section with a soft and delicate tone, using long and smooth bow strokes. You should also use vibrato and portamento for expression. aa16f39245